An 18th-century Painting from Rajasthan of Chhinnamasta, seated squatting on Shiva, in coitus with him. Cremation pyres seem inside the track record. There are 2 contrasting interpretations of Chhinnamasta with regards to sexual motivation. This temple is critical to the entire world mainly because it illuminates not only the ancients’ https://www.instagram.com/tantramantraaurvigyaan/reel/C8Y9qY1PdCa/