In Coralie Fargeat's new feminist horror film The Substance, damaging social elegance specifications are actually the real beasts. They (women objectification, the disposal of "the outdated," the proliferation of a business built on body system customization) feed a monster of a pattern that leads Demi Moore's fading TV individuality https://katherine-paterson-2022.pages10.com/margaret-qualley-65591489
The Substance (2024)
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